![]() ![]() One of the inscriptions discovered with the statue, which was drawn by Debay as fitting into the missing section of the statue's base, names the sculptor as Alexandros of Antioch on the Maeander. 50 BC, and this dating continues to be widely accepted. At the end of the 19th century, Adolf Furtwängler was the first to argue that it was in fact late Hellenistic, dating to c. The scholarly consensus in the 19th century was that the Venus dated to the fourth century BC. 380 BC, between Phidias and Praxiteles Quatremère de Quincy attributed it to the mid-fourth century and the circle of Praxiteles and the Comte de Clarac thought it a later copy of a work by Praxiteles. Within a month of its acquisition by the Louvre, three French scholars had published papers on the statue, disagreeing on all aspects of its interpretation: Toussaint-Bernard Éméric-David thought it dated to c. The authorship and date of the Venus de Milo were both disputed from its discovery. Other proposed identifications include a Muse, Nemesis, or Sappho. ![]() An alternative identification proposed by Salomon Reinach is that she represents the sea-goddess Amphitrite, and was originally grouped with a sculpture of Poseidon from Melos, discovered in 1878. The earliest written accounts of the sculpture, by a French captain and the French vice-consul on Melos, both identify it as representing Aphrodite holding the apple of discord, apparently on the basis of the hand holding an apple found with the sculpture. The Venus de Milo is probably a sculpture of the goddess Aphrodite, but its fragmentary state makes secure identification difficult. The inscribed plinth, if originally part of the Venus, identifies the sculptor as Alexandros of Antioch and dates the work to the Hellenistic period. Identification Venus de Milo drawn by Auguste Debay. It was brought to France, bought by Louis XVIII, and installed in the Louvre. By the time Marcellus arrived at Melos, the farmer who discovered the statue had already received another offer to buy it, and it had been loaded onto a ship the French intervened and Marcellus was able to buy the Venus. Rivière agreed that Marcellus should go to Melos to buy the statue. Īfter stopping in Melos, D'Urville's ship sailed to Constantinople, where he reported the find to the Comte de Marcellus, assistant to Charles François de Riffardeau, marquis de Rivière, the French ambassador. According to his testimony, the Venus statue was found in a quadrangular niche. ĭumont D'Urville, a French naval officer who arrived on Milos shortly after the discovery, wrote an account of the find. Other sculptural fragments found around the same time include a third herm, two further arms, and a foot with sandal. Two inscriptions were also apparently found with the Venus: one, transcribed by Dumont D'Urville, commemorates a dedication by one Bakchios son of Satios the other, recorded on a drawing made by Auguste Debay, names Alexandros of Antioch. A fragment of an arm, a hand holding an apple, and two herms were also found alongside the statue. Voutier and the farmer uncovered two large pieces of the sculpture and a third, smaller piece. Olivier Voutier, a French sailor interested in archaeology, witnessed the discovery and encouraged the farmer to continue digging. The Venus de Milo was discovered on 8 April 1820 by a Greek farmer on the island of Milos. Sketch of the Venus and two herms found with it by Olivier Voutier, made shortly after the discovery ![]() The Venus' flesh is polished smooth, but chisel marks are still visible on other surfaces. There is a filled hole below her right breast that originally contained a metal tenon that would have supported the right arm. The statue is missing both arms, the left foot, and the earlobes. ![]() The Venus de Milo is an over 2 metres (6 ft 7 in) tall Parian marble statue of a Greek goddess, most likely Aphrodite, depicted with a bare torso and drapery over the lower half of her body. The statue is missing both arms, with part of one arm, as well as the original plinth, being lost after the statue's rediscovery. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. It is one of the most famous works of ancient Greek sculpture, having been prominently displayed at the Louvre Museum since shortly after the statue was rediscovered on the island of Milos, Greece, in 1820. The Venus de Milo ( / d ə ˈ m aɪ l oʊ, d ə ˈ m iː l oʊ/ də MY-loh, də MEE-loh Ancient Greek: Ἀφροδίτη τῆς Μήλου, romanized: Aphrodítē tēs Mḗlou) or Aphrodite of Melos is an ancient Greek sculpture that was created during the Hellenistic period. For other uses, see Venus de Milo (disambiguation). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |